rich weyand
Full Access Member
- Joined
- May 28, 2014
- Posts
- 967
- Reaction score
- 177
- Location
- Bloomington Indiana
- First Name
- Rich
- Truck Year
- 1978
- Truck Model
- K10
- Engine Size
- 350
I see what your saying about phasing. My audio expert says differently. He said he could phase them correctly. We shall see.
It's not a phase issue, in the sense of making sure that the speakers all move in the correct direction with a + signal applied. I learned to do that in grade school, about 50 years ago.
The issue is destructive interference from multiple sources. This results from signals arriving at your ear out of phase, not from them being created out of phase at the speaker, which is what your expert is talking about.
If your head is 12" from one speaker, 6" from another, and 18" from a third, all playing the same signal, what happens? At, say, 2250 Hz, right in the middle of the human speaking voice, no problem. That wavelength is 6", and all the sound gets there in phase. You hear the nth wave from the 6" speaker, the n+1 wave from the one at 12", and the n+2 wave from the one at 18". But they are all in phase, and they all add up.
Try that again at 3375 Hz, where the wavelength is 4". The 6" speaker is playing the nth wave, the 12" speaker is playing the n+1.5 wave, and the 18" speaker is playing the n+3 wave. That is, the sound you hear from the 12" speaker is 180 degrees out of phase with the sound from the 6" and 18" speakers at that frequency. It will try to cancel the others out.
I can repeat this for all frequencies in the spectrum for a given spot in the truck. Different spots will cancel or add the sounds together at different frequencies. The ear is very sensitive to this sort of thing. Also, this is not something you can tune out; it is inherent in the physical displacement of the sources from each other and the listener.
Look, I took all the courses for the PhD in Physics from U of I in Urbana -- I got hired away to industry before I wrote the thesis -- and I hung out with all the other audio gearheads from the EE department. I built all my own speaker enclosures and preamps and amplifiers and even turntable tonearms. I've been up and down the waterfront on all this stuff for over forty years. It is going to sound like complete crap compared to single sources.
I don't know, maybe it will sound good to you: I don't know how good your ear is, or how much you appreciate crystal clear sound on a well-produced studio album. But there is a reason the guys who mix those albums have exactly two studio monitors in the mixing room, and not six scattered all over the place. Either that or a good set of 'phones.
If you lived closer I could show you how it should sound. Run up Steely Dan's Gaucho or Dire Straits Communique or Pink Floyd's Dark Side of the Moon on the setup I have now.
Here's a challenge for you. Once your expert gets it all put together, play a good studio album. Then disconnect everything except the Kickers in the headliner, and play it again at the same volume from single sources. The difference will not be subtle.